Midas Dl16 Stage Box

And thanks to its high headroom low noise and adat optical digital outputs the dl16 also servers as an excellent studio preamp.

Midas dl16 stage box.

Midas dl16 stage box with midas mic pres digital mixing has revolutionized virtually everything in the live entertainment production work flow and now that same cutting edge technology brings live production signal distribution into the modern age. Midas dl16 name phone email message. Midas dl16 16 input 8 output stage box with 16 midas microphone preamplifiers ultranet and adat interfaces. Add to cart 1 399 00 add to quote.

Additionally the dl16 features 8 electronically balanced low impedance line level outputs as all of. Or just call us now 888 890 6222. And thanks to its high headroom low noise and adat optical digital outputs the dl32 also servers as an excellent studio preamp. Plus connectivity for your adat compatible outboard equipment.

You may not rent lease lend sell redistribute sublicense or provide commercial hosting services with the software. I the transfer must include your product and all of the software. The dl16 stage box provides 16 of our award winning microphone preamplifiers with switchable 48. Closing the gap between stage and front of house the midas dl16 is a 16 in 8 out stage box that includes 16 fully programmable and remotely controllable midas mic preamps which are the same preamps found in the larger pro series consoles and are equipped with switchable 48v phantom power.

The midas dl16 stage box puts 16 of these highly esteemed microphone preamplifiers in a 2u rack so you can put them onstage as close to the performers as possible so you can cut down on long cable runs. Eight balanced analog xlr returns at the stage end. You may however make a one time permanent transfer of all of your license rights to the software to another end user in connection with the transfer of ownership of your product provided that. The midas dl32 stage box puts 32 of these highly esteemed microphone preamplifiers in a 3u rack so you can put them onstage as close to the performers as possible so you can cut down on long cable runs.